Cyanide-Gridlok-CYAN024-VINYL-2008-sour

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`-----------------------:----' : design.by.ant1k
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: : _ rippers /____.
: : release no ( 9290 ) rating |
: : _____. |
: : artist (Gridlok ) | .---. |
: : title (Sherlok Holmes / Gutterfucker ) | 0 | | |
: : record label (Cyanide (CYAN024) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2007/12/01) | 7 |%%%| |
: : street date (2008/01/14) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (11:52 min) ( 17.6 mb) | `---' |
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nr times track titles
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| A 5:22 Gridlok - Sherlok Holmes |
| B 6:30 Gridlok - Gutterfucker |
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| | | |
| | STH info: | |
| | | |
| | .No one does the funk quite like Gridlok, two | |
| | outstanding cuts straight from the streets of | |
| | San Francisco, via New Zealand. In 2000 | |
| | Cyanide Recordings was created as an outlet | |
| | for the ever evolving sound of Tech & | |
| | Neurofunk. Founded by New Zealands | |
| | Bulletproof, Cyanide was thier platform for | |
| | releasing thier own distinct brand of funk, | |
| | and a way of maintaining full control over | |
| | thier music, and helping other up and coming | |
| | producers make thier mark on the scene. | |
| | Almost 7 years on, Cyanide Recordings has | |
| | become one of the leading labels in the now | |
| | flourishing tech, neurofunk & futurefunk | |
| | scenes. | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2007 ]