Destiny's Child - Destiny Fulfilled - (2004)[FLAC-EAC-CUE] (Size: 365.74 MB)
- Destiny Fulfilled - (2004)[FLAC-EAC-CUE]
Destiny's Child - Destiny Fulfilled
01. Lose My Breath 04:02
02. Destiny's Child featuring T.I. & Lil Wayne / Soldier 05:25
03. Cater 2 U 04:07
04. T-Shirt 04:40
05. Is She The Reason 04:47
06. Girl 03:44
07. Bad Habit 03:54
08. If 04:15
09. Free 04:51
10. Through With Love 03:35
11. Love 04:32
12. Game Over 04:03
Biography by Steve Huey
Destiny's Child rose to become one of the most popular female R&B groups of the late '90s, eventually rivaling even TLC in terms of blockbuster commercial success. Their accomplishments came in spite of several abrupt personnel changes, which were accompanied by heated, well-publicized feuds in the media and the courts. In fact, for a time, Destiny's Child were known for that drama just as much as their music. Once the group stabilized again, though, they emerged with even more hitmaking power than ever before.
Destiny's Child were formed in Houston, TX, in 1990, when original members Beyoncé Knowles and LaTavia Roberson were just nine years old; the two met at an audition and became friends, and Knowles' father Mathew set about developing an act based on their singing and rapping, taking their name from a passage in the Book of Isaiah. Beyoncé's cousin Kelendria "Kelly" Rowland joined the group in 1992, and shortly thereafter they landed an appearance on Star Search, where they performed a rap song. The quartet's lineup was finalized (for the time being) when LeToya Luckett joined in 1993, and they spent the next few years working their way up from the Houston club scene, eventually opening for artists like SWV, Dru Hill, and Immature. Finally, in 1997, Destiny's Child was offered a recording contract by Columbia.
The group made its recorded debut on 1997's "Killing Time," a song included on the soundtrack of the blockbuster Men in Black. Their self-titled debut album was released in early 1998, featuring production by Wyclef Jean and Jermaine Dupri, among others. Its lead single, the Jean-produced "No No No," was a smash hit, selling over a million copies and topping the R&B charts. The follow-up singles — "With Me" and "Get on the Bus," the latter of which was taken from the soundtrack of Why Do Fools Fall in Love? — didn't quite duplicate the success of "No No No," although Destiny's Child would eventually go platinum (after the group's later success). Destiny's Child re-entered the studio quickly, bringing in producer Kevin "She'kspere" Briggs to handle the majority of their next record. Lead single "Bills, Bills, Bills" became the group's first number one pop hit (and second R&B number one) in the summer of 1999, and paced by its success, the accompanying album, The Writing's on the Wall, entered the charts at number six upon its release.
That was just the beginning of the group's breakout success. The second single, "Bug a Boo," didn't perform as well, but the third single, "Say My Name," was another massive hit, their biggest so far; it hit number one on both the pop and R&B charts for three weeks apiece in early 2000, and made Destiny's Child a pop-cultural phenomenon. However, at the peak of "Say My Name"'s popularity, the group splintered. In December 1999, Roberson and Luckett attempted to split with manager Mathew Knowles, charging that he kept a disproportionate share of the band's profits, attempted to exert too much control, and unfairly favored his daughter and niece. While they never intended to leave the group, relations naturally grew strained, and when the video for "Say My Name" premiered in February 2000, many fans (not to mention Roberson and Luckett) were surprised to find two new members — Michelle Williams and Farrah Franklin — joining Knowles and Rowland. Infuriated, Roberson and Luckett took legal action in March, suing both Knowles and their former bandmates for breach of partnership and fiduciary duties. A war of words followed in the press; meanwhile, the next Destiny's Child single, "Jumpin' Jumpin'," hit the Top Ten, and The Writing's on the Wall went on to sell a whopping eight million copies.
The personnel-turnover drama still wasn't over; in July 2000, just five months after joining, Farrah Franklin split with the group. The official reason was that Franklin missed several promotional appearances and concert gigs, although in later interviews she spoke of too much negativity and too little control in the group environment. Now reduced to a trio, Destiny's Child was tapped to record the theme song for the film version of Charlie's Angels; released as a single in October, "Independent Women, Pt. 1" raced up the charts and spent an astounding 11 weeks at number one. Destiny's Child were now indisputable superstars, the biggest female R&B group on the scene, and they quickly began work on a new album to capitalize. In the meantime, toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they continued to pursue action against Knowles' father; as part of the agreement, both sides were prohibited from ripping each other publicly.
Beyoncé had long since emerged as the group's focal point, and on the third Destiny's Child album, she assumed more control than ever before, taking a greater hand in writing the material and even producing some of the record herself. While recording sessions were going on, Rowland released the first Destiny's Child solo track; "Angel" appeared on the soundtrack of Chris Rock's Down to Earth. Former members Roberson and Luckett also announced the formation of a trio called, coincidentally, Angel, and Farrah Franklin set about starting a solo career.
Survivor — whose title was reportedly inspired by a DJ's crack about Destiny's Child members voting one another off the island, much like the popular CBS reality series — hit stores in the spring of 2001, and entered the charts at number one. The first two singles, "Survivor" and "Bootylicious," were predictably huge hits, with the latter becoming the group's fourth number one pop single. A cover of Andy Gibb's "Emotion" was also successful, albeit less so, and Survivor sold well — over four million copies — but not as well as its predecessor. Toward the end of the year, the group released a holiday album, 8 Days of Christmas, and announced plans for a series of side projects, including solo albums from all three members (to be staggered over the next year and a half, so as to avoid competition). In early 2002, shortly after This Is the Remix was released to tide fans over, Roberson and Luckett sued the group again, claiming that some of the lyrics in "Survivor" made reference to them (in violation of the earlier lawsuit settlement).
The first Destiny's Child solo album, Michelle Williams' all-gospel project Heart to Yours, was released in April and featured a duet with gospel legend Shirley Caesar. Meanwhile, Beyoncé won a leading role opposite Mike Myers in the third Austin Powers film, Goldmember, playing blaxploitation-style heroine Foxy Cleopatra; her first solo single, the Neptunes-produced "Work It Out," appeared on the soundtrack, and her full solo album, Dangerously in Love, became a huge hit upon release in mid-2003. Despite much critical speculation, the trio reunited the following year and released Destiny Fulfilled in November 2004. In October 2005, the #1's compilation was issued, followed by the Live in Atlanta DVD and CD sets in 2006 and 2007.
Product Description From Amazon.co.uk
Destiny Fulfilled reunites the wayward solo members of R'n'B trio Destiny's Child, bringing Knowles, Rowland and Williams back together for another long overdue outing as the hyper-successful female group. While the R'n'B scene seems to have stagnated since they solo-ed out, the girls themselves were plenty busy, no more so than the ubiquitous global brand that is now Beyonce, now famously more dangerously in love with herself than anything else. This reunion can't have been easy, but things get off to a more than promising start with the harsh and immediate "Lose My Breath", which comes across as a battle cry to their contemporaries (watch out, Christina Milian) and a rousing call to arms to their legions of fans, which is continued by 'Soldier."
However, the album takes a different path at this point, opting for a sweeter contemporary sound that mimics their current peers. The vocals on these smoother, more sedate numbers stagger – aided by clean production, the harmonies interact with each other in a way that demonstrates the blissful chemistry between the girls, transcending all egos. The only letdown is "Cater 2 U", in which the girls muse about all the things they will do to please their men and continue to slush about the virtues of wearing his T-shirt in bed ("T-Shirt"). Are these really the same independent women that brought feminism to twelve year olds? Still, it seems they're growing up and calming down – which might be a good thing for the men of the world. --Ben Johncock
After massive solo success, and gritty partnerships with the likes of Jay-Z and Nelly, the Destiny's Child girls reunite for the studio album, Destiny Fulfilled. Their respective prodigious talents combine to give us more top-of-the-line funky hip-hop inflected R&B cuts.