Elton John.Made in England.[P]1995(Pugz.256k.mp3)

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CD: Elton John - Made in England [P]1995


01. Believe [0:04:54.65]
02. Made In England [0:05:09.23]
03. House [0:04:27.07]
04. Cold [0:05:37.43]
05. Pain [0:03:50.30]
06. Belfast [0:06:30.47]
07. Latitude [0:03:35.65]
08. Please [0:03:54.23]
09. Man [0:05:15.50]
10. Lies [0:04:27.42]
11. Elton John - Blessed [0:05:01.03]

Personnel includes: Elton John (vocals, piano, keyboards, harmonium); Davey Johnstone (guitar, mandolin, banjo, background vocals);
Dermont Crehan (violin); Paul Brennan (pipes, flute); Teddy Borowiecki (accordion); Paul Carrack (Hammond organ);
Guy Babylon (keyboards, programming, background vocals); Bob Birch (bass, background vocals); Charlie Morgan (drums);
Ray Cooper (percussion). Recorded at Air Studios, London, England. All music written by Elton John. All lyrics written by
Bernie Taupin. "Believe" was nominated for a 1996 Grammy Award for Best Male Pop Vocal Performance. There is no denying the
musicianship of this Oscar- and Grammy-winning artist. Elton John composes songs steeped in the craft of old-time tunesmithing.
His dreamily melodic, catchy-chorus, piano-based writing style has been gobbled up by the public for decades. But as strongly
evidenced on this album, his 35th (including greatest-hits records and boxes), John and lyricist Bernie Taupin want to simplify
their lives. The one-word titles on all except the title track are indicative of the unadorned sentiments expressed on this
collection. MADE IN ENGLAND is John at his most mature--no fantastic Captains or manic Liberace-isms, just a songwriter trying
to entertain his audience on that smooth sail without making too many waves. Beatles producer George Martin adds his special
touch on the lushly arranged folk/waltz "Latitude," a sensitive standout. The heavily orchestrated "Belfast" begins like a
pretty soundtrack theme but soon turns lyrically sorrowful and dark. MADE IN ENGLAND moves with ease from the passionate
ballad "Believe" to the plucky, Tennessee Williams-inspired "Lies," with its bravado ivory tinkling. Spirited pop tunes like
the mid-tempo "Please" and pensive ballads like "Cold" are as irresistible as ever, but the singer's excesses are gone from
his music just as they are from his life. What remains are proper and secure songs, a notch or two above those of most other
pop tunesmiths.