Flogging Molly - Float-(Advance)-2008-FNT

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Added on Dec 22, 2007 in Music
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Flogging Molly - Float-(Advance)-2008-FNT (Size: 64.39 MB)
  00-flogging_molly-float-(advance)-2008.m3u 471 bytes
  00-flogging_molly-float-(advance)-2008.nfo 5.3 KB
  00-flogging_molly-float-(advance)-2008.sfv 581 bytes
  01-flogging_molly-requiem_for_a_dying_song.mp3 5.84 MB
  02-flogging_molly-paddys_lament.mp3 5.57 MB
  03-flogging_molly-float.mp3 7.62 MB
  04-flogging_molly-you_wont_make_a_fool_out_of_me.mp3 4.85 MB
  05-flogging_molly-lightning_storm.mp3 5.63 MB
  06-flogging_molly-punch_drunk_grinning_soul.mp3 7.08 MB
  07-flogging_molly-us_of_lesser_gods.mp3 5.1 MB
  08-flogging_molly-between_a_man_and_a_woman.mp3 5.58 MB
  09-flogging_molly-on_the_back_of_a_broken_dream.mp3 5.73 MB
  10-flogging_molly-man_with_no_country.mp3 5.29 MB
  11-flogging_molly-the_story_so_far.mp3 6.09 MB

Description

- Release Info -------------------------------------------------------------- -

Artist: Flogging Molly
Album: Float
Label: Sideonedummy
Playtime: 39:35 min
Genre: Punk Rock
URL:
Rip date: 2007-12-19
Street date: 2008-03-04
Size: 67.50 MB
Type: Advance
Quality: 227 kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

New Flogging Molly Enjoy Bitches!

"Hello, Partland!" Flogging Molly's Dave King howled in his Irish brogue.
"We're packed up Γ??ere like a tin of fuckin' sardines!" He wasn't kidding.
Kell's, styled after an Irish pub, had a stage fit for a quartet at best, but
was forced to cope with the foot-stomping rush of the Irish folk-punk
whirlwind packed upon it anyway. At times, eight people crammed onto the tiny
stage to spew forth a brilliant sound fueled by equal parts Guinness, bile
and joy. Kicking off with the aptly titled "Swagger," King gave a four count
that set off an explosion of energy. The band played with such ferocity that
they twice had to apologize to the wedding reception upstairs (not that they
turned down any, mind you). Their foot-stomping tunes eventually smoothed
over any rough feelings, for the happy couple ended up in the front row,
pints in hand and cheering on this crew of mad bastards.

King was a slave driver, urging his band mates to ever more furious heights
as they tore threw most of their two CD's worth of material. The entire band
blissed out while playing with their eyes closed and leaning into the beat.
Bassist Nathen Maxwell rocked back and forth, head back and grinning all
night, while Matt Hensley waltzed lovingly with his accordion. Bob Schmidt
and Dennis Casey, on mandolin and guitar respectively, spent most of the
evening crammed into their corner of the stage, stepping forward to scream
choruses in the general direction of their microphone. I couldn't see drummer
George Schwindt, but from the sound of things he was definitely living up to
the band's name (A bit of explanation: the band honed its skills by playing
constantly at Molly McGuire's in Los Angeles, hence it's somewhat ominous
moniker). After all, how many folk bands need to stop mid-set to replace a
snare drum? At the center of this storm stood King, who strummed his acoustic
guitar and attacked his microphone with such vigor that he told the audience
that he would most likely knock all of his teeth out by the end of the night.
The highlight for me was Bridget Regan, who switched between fiddle and a
penny whistle and provided variation that kept the songs from melding into
one another. All of the band members were clearly skilled at their craft and
their constant touring has made them into a gelled, jigging juggernaut.

Although the playing was loose, the band didn't deviate heavily from the
recorded versions of their songs. One ecstatic exception was "Black Friday
Rule," which included a guitar solo by Casey that was so ripping it bordered
on heavy metal. The band's energy level was so high that even slower material
like "Laura" kept the crowd's heads nodding. The standout number was the
ferocious version of "Delilah" which featured an extended, almost Latin
middle section. By the end, perfect strangers had their arms around each
other's shoulders as they swayed back and forth while belting out the chorus.
Since the crowd was a mix of yuppies out for a Friday night and punks there
only for the band, watching King conduct this motley choir was something to
behold. After the bellowing crowd convinced the band to play one final song,
King and crew finished things up with "What Made Milwaukee Famous, Made a
Loser Out of Me." As the song began, Casey complained that he didn't know how
the song went, to which King replied, "Come on, man, it's C and E like
everything else!" This exchange summed up the night perfectly: with songs
this much fun, who gives a damn whether you know how to play them or not
since passion and Guinness will make up the difference. Three days later, I
am still humming bits to myself and smiling. And I'm not even Irish.

- Track List ---------------------------------------------------------------- -

01. Requiem For A Dying Song ( 3:30)
02. Paddy's Lament ( 3:24)
03. Float ( 4:53)
04. You Won't Make A Fool Out Of Me ( 2:43)
05. Lightning Storm ( 3:29)
06. Punch Drunk Grinning Soul ( 4:20)
07. Us Of Lesser Gods ( 3:19)
08. Between A Man And A Woman ( 3:21)
09. On The Back Of A Broken Dream ( 3:21)
10. Man With No Country ( 3:04)
11. The Story So Far ( 4:11)

- --------------------------------------------------------------------------- -

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Flogging Molly - Float-(Advance)-2008-FNT

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Angers49 3489 30 May 2011, 14:04  
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Quality & quick, thanks.

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bunnyhug 271 27 Dec 2010, 06:51  
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thanks!

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bunnyhug 271 27 Dec 2010, 06:47  
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thanks!

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