Robert Bresson - Le Proces De Jeanne D'arc (Trial Of Joan Of

French Title: ProcΦs de Jeanne d'Arc
English Title: Trial of Joan of Arc
Director: Robert Bresson
Year: 1962
Language: French, Italian (dual audio)
Subtitles: English, Italian, German, Spanish (softsubs)

File Name .............: Robert Bresson - Le Proces De Jeanne D'arc.avi
File Size (in bytes) ..: 717,256,704 bytes
Runtime (# of frames) .: 01:01:15 (91875 frames)

Video Codec ...........: DivX 5.0
Frame Size ............: 720x400 () [=] [=1.800]
FPS ...................: 25.000
Video Bitrate .........: 1103 kb/s
Bits per Pixel ........: 0.153 bpp
B-VOP, N-VOP, QPel, GMC ......: [B-VOP]...[N-VOP]...[]...[]

Audio Codec ...........: 0x2000(AC3, Dolby Laboratories, Inc) AC3
Sample Rate ...........: 48000 Hz
Audio bitrate .........: 224 kb/s [2 channel(s)] CBR audio
Interleave ............: 40 ms
No. of audio streams ..: 2
Source: DVD

Plot Synopsis from allmovie.com

Characteristically breaking with tradition, director Robert Bresson presents a realistic, unique view of the life and death of Joan of Arc. Using a script based on the actual transcript notes taken during her trial, Bresson focuses on the psychological and physical torture that Joan had to endure, showing how these techniques were used to break her resolve and cause her to eventually recant her faith. With impeccable historical accuracy Bresson re-creates the story of the peasant girl who, after leading an unsuccessful revolt against the government, was brought to trial, convicted of heresy, and burned as a witch. However, Bresson shows Joan (Florence Carrez) as a woman more sophisticated and calculating and less naive than she has normally been represented. His Joan, while more real, is no less heroic than the traditional Joan. This unusual approach is characteristic of this unique director who defies classification as either a traditional or "new wave" filmmaker while being highly respected for pursuing his own individual style and vision. Robert Bresson has been called a poet and philosopher with a camera, preoccupied with the idea of predestination and spiritual grace. In Proces de Jeanne d'Arc, as with all of his films, Bresson imprints his own personal signature. The film is tightly constructed and stripped to the bare essence of the material. Bresson has made only a handful of feature films, yet he is one of the most discussed and revered figures in cinema, creative, original and unique.
Linda Rasmussen

Thanks to sebadivx for the upload at KG

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